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Listed under:  Society  >  Culture  >  Regional culture  >  Aboriginal and Torres Strait Islander peoples  >  Aboriginal peoples
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Indigenous Australian man with white body paint, c1790

This is a portrait of an Indigenous Australian man from the Port Jackson (Sydney) area of New South Wales, created in about 1790 by an unknown artist. He is depicted from the waist up, with white paint on his face, arms and chest. The text 'When angry and (as I suppose) intends to fight at a future period' is written below ...

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Indigenous Australian man, Bedgi-bedgi (Bidgee-bidgee), 1802

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Bedgi-bedgi (also known as Bidgee-bidgee), said to be of the Gwea-gal tribe. He has patterned scarification on his arms, chest and abdomen, ...

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Indigenous Australian man, Gnoung-a Gnoung-a ('Collins'), 1802

This is a colour print of a portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a young Indigenous Australian man known as Gnoung-a Gnoung-a, and also as 'Collins'. He has short, curly hair and a light beard. His red headband is possibly ...

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John Collins recalls illustrations by Oodgeroo Noonuccal (Kath Walker), 2007

This is an edited sound recording of John Collins, former managing director of the Brisbane-based book publisher Jacaranda Press, recalling the way the Indigenous poet Oodgeroo Noonuccal (then Kath Walker) produced illustrations for her 1980 book 'Father sky and mother earth'. He describes how a casual remark led to her ...

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May O'Brien talks about Aboriginal storytelling, 2008

This is an edited sound recording of an interview with Western Australian Aboriginal educator and author May O'Brien. O'Brien says that in her early life she was told Aboriginal stories orally and in drawings in the sand. She says that when she puts Aboriginal stories in writing, she thinks carefully about the words she ...

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May O'Brien recalls the traditional bush lifestyle of her childhood, 2008

This is an edited sound recording of an interview with Western Australian Aboriginal educator and author May O'Brien. She recalls the traditional bush lifestyle of her childhood in the eastern goldfields region of WA. She describes living in comfortable humpies made from bush materials and how she was taught traditional ...

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May O'Brien recalls school at the Mount Margaret Mission, 2008

This is an edited sound recording of an interview with Western Australian Aboriginal educator and author May O'Brien. She gives an account of the police practice of removing Aboriginal children from their families in line with government policies of the time. She recalls being fearful as a child of being removed and taken ...

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Jimmy Little outlines his views on racism, 2008

This is an edited sound recording, from July 2008, of Indigenous singer-songwriter Jimmy Little. Little tells how his parents lived on an Aboriginal mission, with their movements very restricted. He also recalls going to a movie theatre where people were separated by race, but says examples of racism such as these were ...

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Marion Scrymgour talks about her mixed sense of identity, 2008

This is an edited sound recording of a Northern Territory politician, Marion Scrymgour, talking about her Tiwi and central Australian backgrounds. She says that all her life she has considered herself to be a Tiwi Islander, like her mother. However, she has also recently 'come to accept that I've got this other different ...

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Corroboree, c1817

This is a 17.7 cm x 27.7 cm watercolour showing Indigenous Australian men at a moonlit, night-time corroboree around a central fire in a bush clearing. Five men are dancing in a line on one side of the fire, while another six men stand on the other side, all painted with white ochre ceremonial markings on their legs, arms ...

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Indigenous Australians at the Hunter River, c1817

This is a 17.7 cm x 27.8 cm watercolour of 12 people from the Awabakal language group with their dogs beside the Hunter River in New South Wales. It is a cloudy night but the moon has broken through and is reflected on the water. The people are gathered around campfires, possibly in two separate family groups, each with ...

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Indigenous Australian men with weapons, c1817

This is a 17.7 cm x 27.8 cm watercolour of ten men carrying spears, spear throwers and shields as they walk along a dirt path. Some have clubs tucked into loincloths. Another group of five men can be seen further down the grassed hill.

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Indigenous Australians hunting kangaroos, c1817

This is a 17.7 cm x 27.7 cm watercolour of a hunter poised to throw a spear at one of a number of kangaroos; he is lying on his front behind a fallen tree, his head and chest raised and his right arm stretching back ready to throw the spear from a spear thrower. Four other hunters wait behind trees in the distance with ...

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Indigenous Australians spearing eels, c1817

This is a 17.6 cm x 27.7 cm watercolour of two men spearing fish in a river. One has caught an eel on his four-pronged spear. The landscape is heavily vegetated with mountains in the distance and there are rocky outcrops on either side of the river. Large trees frame the image.

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Indigenous Australians hunting black swans, c1817

This is a 17.5 cm x 27.7 cm watercolour of Indigenous Australian people hunting black swans among reeds near the water's edge of a large river. One man is holding a bird that is trying to escape and three people are spearing birds. At least four other people are almost fully obscured by the reeds. The river is surrounded ...

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Bennelong in European clothing, 1798

This is an engraving made by James Neagle in England in 1798. It features an oval portrait of Bennelong wearing a ruffled shirt, waistcoat and frockcoat. A number of Indigenous Australian weapons are depicted in a formal arrangement behind the portrait; these include two shields, a woomera (spear thrower), a hafted axe ...

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Indigenous Tasmanian woman, Arra-Maida, 1802

This is a black-and-white print of a drawing made by the French artist Nicolas-Martin Petit on Bruny Island, off south-east Van Diemen's Land (Tasmania), on 31 January 1802. It is a portrait of a young woman, Arra-Maida. She has short, woolly hair and is wearing an animal-skin garment that hangs over one shoulder, but ...

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Indigenous Australian man, Y-erran-gou-la-ga (Mousquita), 1802

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Y-erran-gou-la-ga. There is painting on his chest and face and he is wearing a piece of reed or bone through a hole in the cartilage ...

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Indigenous Australian man, Ourou-mare ('Bulldog'), 1802

This is a colour print of a half-figure portrait drawn by the French artist Nicolas-Martin Petit somewhere near Port Jackson (Sydney), between 20 June and 17 November 1802. It shows a man named as Ourou-mare, said to be of the Gwea-gal tribe, and known to the British settlers as 'Bulldog'. He has short, curly hair and a ...

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Indigenous Australian man warding off spears, c1817

This is a 17.7 cm x 27.7 cm watercolour showing an Indigenous Australian man holding a shield in front of himself, with fallen spears at his feet, as he faces a group of 14 men. Some are holding spears, apparently watching and waiting, while one is about to throw his spear at the man with the shield. Another group of 11 ...